New York at night has a completely different palette. The windows are bright, the streets go dark, and the city keeps moving.
The High Line is an elevated public park on Manhattan's West Side that gives visitors another view of the surrounding buildings and streets. [1]
I'd use that contrast in a winter colour story: deep blue, a sharp line of light, perhaps one pink detail.
It connects nicely to the ideas behind Glow In Winter 27, without pretending the collection owns the city or that a campaign has already been photographed there.
I'd take a few pictures and probably stop for something warm on the way home.

