For Crystal Skies, I've been thinking about sharp lines and very soft light.
The collection notes describe clean geometry, luminous details and a purple-frost palette. [1] There is a lot to work with there, even without another mountain photograph.
I like one small reflection, a clear shape, and space around it. Too much shine and the details disappear.
The practical part matters just as much to me. A beautiful silhouette still needs to be comfortable enough for a normal day.
I'd rather keep one lovely detail than add six more because the page looks empty.
